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Premium packaging as a strategic design choice

Premiumisation in packaging: The silent strength of your brand

On an overcrowded shelf where everything clamours for attention, it is often the packaging that dares to whisper that leaves the most lasting impression. Premiumisation in packaging is not about glossy surfaces or exaggerated luxury. It is about finding that quiet power. The kind of refinement that does not shout, but lingers. 

Luxury that thinks, not commands
Premium packaging is about far more than a matte finish or golden accents. Its true strength lies in the strategic interplay of colour, material and detail. Whereas many brands equate premium with ‘looking expensive’, the real key often lies elsewhere: authenticity that feels like a promise. Packaging that tells a story aligned with what the brand is, and aspires to be.

That promise starts with the right visual language. Dark, saturated colours such as navy blue or deep burgundy can evoke trust, while soft textures and tactile accents suggest care and craftsmanship. But premium only truly becomes powerful when the visual execution resonates with the strategy behind it.

 

Packaging as a silent negotiator
Every piece of packaging is a silent negotiator. It persuades without words. It invites a second glance. And above all, it must find the right balance: between standing out and overdoing it, between aspiration and credibility. Premiumisation is about achieving that balance. The tension between what is visible and what is merely suggested.

It’s like a handshake. Too firm and it feels forced. Too limp and trust is lost. Premium packaging sits somewhere in between: firm enough to make an impression, soft enough to feel genuine.

 

Materials, finishes & colours that steer choice
Colour is never accidental. It is a strategic tool for steering perception. In premiumisation, we often see a shift towards understated contrasts. Think matte black combined with copper-toned details, or sandy hues with a subtle sheen. Such colour combinations are often perceived as ‘premium’ because they convey calm, exclusivity and control. Unlike bright colours (which tend to shout), these combinations seem to whisper: this product has been crafted with care, for those who know what matters.

Finishing also plays a crucial role. Soft-touch coatings, embossing or blind debossing create a sensory experience that the brain instinctively associates with value. It is no coincidence that consumers linger longer over packaging that feels pleasant to the touch.

Beyond strategic use of colour and finishing, the feeling of ‘premium’ also lies in material choice: robust yet refined, with a visual and tactile quality that strengthens the overall impression. Think of recycled cardboard with visible fibres, offering a natural tactility that fits perfectly with the premiumisation of organic and eco segments. Or matte glass for non-alcoholic cocktail packaging, conveying subtlety and refinement without excess.

It is precisely these layered visual cues - material, texture, finish - that cause consumers to literally and figuratively linger on a piece of packaging.

 

Premium without excess
In an era where price sensitivity and sustainability increasingly take centre stage, the call for ‘premium yet responsible’ is growing louder. This demands smart choices: recycled materials with a luxury look, bio-based coatings with a velvety feel or digital printing techniques that combine elegance with efficiency.

Premiumisation is therefore not a mere aesthetic overlay. It is a strategic foundation beneath the brand. A brand that understands that true luxury lies in attention, nuance and respect for the shopper’s intelligence.

 

How packaging whispers luxury & trust
Brands seeking to premiumise do not need to shout louder; they need to listen better. To what their market desires, to how their packaging communicates and to what makes the difference between fleeting attraction and lasting impact.

 

Sometimes, it’s not the packaging that changes.
It’s the way you look at it.

About the author

Karine Steculorum

Colour & Visual Impact Director at One Inch Whale. With a background in visual arts and experience in applied colour strategy at iVisual, she helps brands translate visual complexity into clear, compelling choices combining aesthetic sensitivity with a sharp understanding of how design influences behaviour.